Audience – Fiftysix http://fiftysix.net/ Wed, 20 Oct 2021 01:17:00 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://fiftysix.net/wp-content/uploads/2021/06/icon-3-150x150.png Audience – Fiftysix http://fiftysix.net/ 32 32 ‘Freestyle Love Supreme’ hip-hop improv show returns to Broadway – CBS New York https://fiftysix.net/freestyle-love-supreme-hip-hop-improv-show-returns-to-broadway-cbs-new-york/ https://fiftysix.net/freestyle-love-supreme-hip-hop-improv-show-returns-to-broadway-cbs-new-york/#respond Wed, 20 Oct 2021 01:17:00 +0000 https://fiftysix.net/freestyle-love-supreme-hip-hop-improv-show-returns-to-broadway-cbs-new-york/ NEW YORK (CBSNew York) – The hip-hop improvisation “Freestyle Love Supreme” officially opened on Broadway on Tuesday. The red carpet was buzzing outside the Booth Theater, eager to see the cast take over the stage. Co-creator and performer Lin-Manuel Miranda was present. READ MORE: Racism declared public health crisis in New York “Freestyle Love Supreme” […]]]>


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Director of Audience Strategy – ProPublica https://fiftysix.net/director-of-audience-strategy-propublica/ https://fiftysix.net/director-of-audience-strategy-propublica/#respond Mon, 18 Oct 2021 19:58:11 +0000 https://fiftysix.net/director-of-audience-strategy-propublica/ ProPublica is looking for a Director of Audience Strategy. While ProPublica measures its success in terms of impact, rather than pageviews, we look forward to continuing to expand the reach and resonance of our journalism. In this role, you will contribute to the growth of ProPublica’s audience and ensure maximum visibility for our journalism where […]]]>

ProPublica is looking for a Director of Audience Strategy. While ProPublica measures its success in terms of impact, rather than pageviews, we look forward to continuing to expand the reach and resonance of our journalism. In this role, you will contribute to the growth of ProPublica’s audience and ensure maximum visibility for our journalism where it can have an impact. This is a managerial position.

We are a non-profit newsroom focused on producing accountable journalism that drives real-world change; our audience development efforts aim to help our stories reach more people with our work and cultivate more direct and meaningful relationships with them in a variety of ways – as readers, experts, community members, citizens and donors. The Audience Team, led by the person in this role, is a creative and ambitious group of eight journalists who oversee our newsletters and social media presence, identify and support unique editorial partnerships, and collaborate with journalists and editors on how to make our work shine. . These efforts aim to both find large national audiences for our greatest stories and ensure that our ambitious local surveys reach the communities and places most affected by the issues we cover.

What you are going to do here:

  • Work closely with editorial and business colleagues to identify key audiences for ProPublica journalism.
  • Identify new opportunities to disseminate our work and reach key audiences, working with colleagues across the organization to advocate, test and launch your ideas.
  • Manage a growing team that works with colleagues in the newsroom to develop strategies and tactics to reach and retain these audiences.
  • Set goals and track the performance of our publishing platforms, including website, mobile apps, social media accounts, newsletters, and third-party platforms, on key metrics of reach, engagement and loyalty.

We are looking for someone who:

  • Has a proven track record in identifying strategic opportunities and managing teams to implement the vision accordingly.
  • Likes to set and achieve ambitious goals for himself and his teams.
  • Has experience in creating audiences for mission-oriented public service.
  • Advocate for the needs of diverse audiences in storytelling, design and product development conversations.
  • Is a savvy data analyst, able to identify opportunities, gaps and emerging issues to refine and improve goals.
  • Is a clear written and verbal communicator, whether it’s crafting a specific and engaging headline or giving a presentation at the headline.
  • Knows at least some of the tools we use – including (but not limited to) Chartbeat, Craft CMS, Google Analytics, Google Docs, Outlook, Sailthru, Semrush, and Socialflow – and has ideas about others that we should use.

We know there are some great candidates who may not match what we’ve described above or have important skills that we haven’t thought about. If that’s you, feel free to apply and tell us about yourself.

We’re committed to improving our newsroom, in part by better reflecting the people we cover. (Here’s a breakdown of our staff.) We are committed to fostering diversity and creating an inclusive environment for people of all backgrounds and ages. And we are taking action to meet this commitment. We especially encourage members of traditionally under-represented communities to apply, including women, people of color, LGBTQ people and people with disabilities.

If all of this sounds exciting to you, you can apply using this form. We are accepting applications as they arise and will start reviewing them on November 1st.

This job is full time and includes benefits. ProPublica’s head office is in New York City, with offices in Chicago, Washington, Atlanta, and Phoenix. The position is ideally based in our New York office, but we are also open to applicants based in one of our other locations. Applicants must be eligible to work in the United States. Questions ? Send them to talent@propublica.org. No phone calls, please.


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Make your social media platform attractive to target the right audience https://fiftysix.net/make-your-social-media-platform-attractive-to-target-the-right-audience/ https://fiftysix.net/make-your-social-media-platform-attractive-to-target-the-right-audience/#respond Sun, 17 Oct 2021 14:59:52 +0000 https://fiftysix.net/make-your-social-media-platform-attractive-to-target-the-right-audience/ Social media platforms differ in how they work and how they look. Therefore, it is really important to make sure that their aesthetic is in place in order to attract more leads, increase sales, and get the message across to the target audience in the right way. To make sure your social media page is […]]]>

Social media platforms differ in how they work and how they look.

Therefore, it is really important to make sure that their aesthetic is in place in order to attract more leads, increase sales, and get the message across to the target audience in the right way.

To make sure your social media page is in the right format and in the right order, this guide can help you:

Inspire you

Each social media platform can weave a different story depending on the aesthetic you want to present. So make sure you get inspiration from the right sources and the right social media platform for your brand. Pinterest and Instagram are more image-driven, while content on Twitter is all about crisp tweets. Likewise, Facebook is all about combining trendy content with featured articles and stories. So be sure to use all the trending platform specific updates and features to draw and implement your inspiration.

Create content

Conceptualize a board for yourself and start pinning the content you like. It can include photos, videos, Gifs, carousels, and more that reflect your brand’s aesthetic and help you weave the story you want to portray in the right format. If you do decide to use a template, be sure to choose one that matches your vision, sensitivity, and covers your competitive strategy. Also pay attention to the description, content and information of the products you plan to showcase.

Produce and publish

While content planning may seem difficult, content production can be even more tedious. Make sure to use original social media templates, unique formats, and different fonts. Innovate with design and present your page content with precision and perfection. You can shoot content, use Photoshop, try out models, or maybe combine free images from the internet to showcase what you like.

Define the timeline

Create a timeline to help you remember when you want to post or when you want your content done. A timeline is like a timeline for your content. You can create a simple timeline in your notes or phone calendar to stay on top of things. This will ensure that you know what to post and when so you don’t get lost in the middle of the content. Plus, keep an eye out for trending and topical posts, events or updates so you can integrate them into your social media content to showcase an aesthetic you love!


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First unrestricted home game for the Kitchener Rangers https://fiftysix.net/first-unrestricted-home-game-for-the-kitchener-rangers/ https://fiftysix.net/first-unrestricted-home-game-for-the-kitchener-rangers/#respond Fri, 15 Oct 2021 22:37:00 +0000 https://fiftysix.net/first-unrestricted-home-game-for-the-kitchener-rangers/ FOOD – Friday night’s showdown between the Kitchener Rangers and the Sarnia Sting at Aud marks a milestone. This is the Rangers’ first home game where a full crowd is allowed in the stands, under the province’s recently relaxed restrictions. “It’s only been six days’ notice compared to three or four months when regular season […]]]>

FOOD –

Friday night’s showdown between the Kitchener Rangers and the Sarnia Sting at Aud marks a milestone.

This is the Rangers’ first home game where a full crowd is allowed in the stands, under the province’s recently relaxed restrictions.

“It’s only been six days’ notice compared to three or four months when regular season games are posted,” Rangers COO Joe Birch said. “You have time to prepare. “

As the puck fell at 7:30 a.m., the gates were open an hour before and saw lines to enter.

“It will be nice to see everyone because it’s been so long since we’ve had this,” a fan said before the game.

The maximum capacity of The Aud is 7,777, but staff expect just under 5,000 of those seats to be filled.

The Rangers usually sell around 5,000 season tickets, but have only been able to sell about 65 percent for that season.

Fans must show proof of double vaccination and wear masks when not eating.

“We’re really happy where we’re at for tonight’s participation,” said Birch.

Last Friday, the Rangers were entitled to 50% of their capacity and were able to sell themselves.

Birch adds that, just because they don’t fill the 7,000 seats this Friday, they are confident that attendance will continue to increase in the weeks to come, as pre-pandemic crowds typically started to increase after the mid- November.


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Rotten Tomatoes and the cultural divide between critics and audiences https://fiftysix.net/rotten-tomatoes-and-the-cultural-divide-between-critics-and-audiences/ https://fiftysix.net/rotten-tomatoes-and-the-cultural-divide-between-critics-and-audiences/#respond Wed, 13 Oct 2021 18:56:15 +0000 https://fiftysix.net/rotten-tomatoes-and-the-cultural-divide-between-critics-and-audiences/ Comedian Dave Chappelle’s Netflix special, The closest, garnered praise from the public and social media, while drawing contempt from media critics and professional critics for his jokes about LGBTQ and trans communities. Critics have even gone so far as to call the stand-up special a “betrayal” on Chappelle’s part. But how far does this gap […]]]>

Comedian Dave Chappelle’s Netflix special, The closest, garnered praise from the public and social media, while drawing contempt from media critics and professional critics for his jokes about LGBTQ and trans communities. Critics have even gone so far as to call the stand-up special a “betrayal” on Chappelle’s part.

But how far does this gap extend between what appears to be the approval of the mass public and the universal disapproval of criticism? Rotten Tomatoes, the movie review aggregation site that averages movie, TV, and streaming visual media reviews, has become the latest tool to measure this.

Rotten Tomatoes has a user rating system, which it measures against media reviews. It helps show how paid critics approach their art, as opposed to a casual audience. It is also becoming a cultural club that proves a disconnection between the awakened media and the general public, exhausted by cancellations and public wrestling sessions in the name of “progress”, racial or otherwise.

Currently Chappelle’s The closest The critics score on Rotten Tomatoes is 43%, which earns it the dreaded green splash. However, it hits an overwhelming 96 percent on the audience meter. On the flip side, Disney Plus’s new documentary about Dr.Anthony Fauci, which explores the personal side of the controversial character, has a certified approval rating of 91% from critics and just 2% from audiences.

Does Rotten Tomatoes signal a new interpersonal way of probing the cultural and media divide? It could. This type of deviation first became a problem with Star Wars: The Last Jedi, which has been hailed by critics and to the limit despised by the public. The same happened with Captain Marvel, which led Rotten Tomatoes to implement a verification system to prevent a troll tactic called “review bombing,” where critics coordinate and bomb a media or movie with the sole purpose of lowering the rating.

However, Rotten Tomatoes only implemented this system for theatrical releases, which means there’s no way of knowing if those commenting on or rating Chappelle and Fauci have even seen the special. A 2% approval rating among the public is almost unheard of, so the documentary Fauci is likely the victim of a political bombing. The Chappelle special is more interesting, as Chappelle himself and the stand-up comedy on Netflix as a genre attract a niche audience.

Instead of comparing Chappelle’s special to Fauci, perhaps a better comparison is with the critically acclaimed special Nanette of the awake actress Hannah Gadsby. Nanette has achieved a perfect critical score of 100 percent certified fresh. And it’s no wonder: it was practically created in a laboratory to New Yorker writers of cartoon legends and awakened social justice warriors who believe stand-up comedy is really about solving the personal and societal issues of intersectionality. Nanette only obtained an audience rating of 27%.

So there is a clear divide between what the media thinks of the public should appreciate and what the audience chooses to enjoy. Rotten Tomatoes is an imperfect system for measuring this type of division, but it also cannot be broadly amortized. Perhaps this is just another vehicle for confirming the priorities of a mass audience in intimate contexts using flawed and actionable metrics. Or maybe it’s something deeper, and Dave Chappelle and the public know something that the gatekeepers of the mass media don’t.


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Bretman Rock talks about content creation, audience development https://fiftysix.net/bretman-rock-talks-about-content-creation-audience-development/ https://fiftysix.net/bretman-rock-talks-about-content-creation-audience-development/#respond Tue, 12 Oct 2021 15:00:00 +0000 https://fiftysix.net/bretman-rock-talks-about-content-creation-audience-development/ MANILA – Beauty and sensation social media influencer Bretman Rock emphasized the importance of authenticity in content creation and cited the importance of being real in promoting connection with audiences during an online forum Tuesday. UP NOW: @bretmanrockthe opening fireside speech of #DigiConPOP. @ABSCBNNews pic.twitter.com/icQncIUY3p – Sherwin Tinampay (@sharewinner) 12 October 2021 On the occasion […]]]>

MANILA – Beauty and sensation social media influencer Bretman Rock emphasized the importance of authenticity in content creation and cited the importance of being real in promoting connection with audiences during an online forum Tuesday.

On the occasion of the second day of the Philippines Internet and Mobile Marketing Association’s DigiCon POP (IMMAP) attended by mostly marketing and advertising professionals, Rock shared his thoughts on engagement with people. in line.

Rock said he liked that there were more real people in today’s commercials.

“I think you played 4 commercials, like, before that and see, like, the actors you used is so much more diverse. Before I left the Philippines the Filipino media was just using beautiful faces and nothing wrong with it. But now we have to use real people and I like those real people in these commercials, ”Rock said.

Rock said he believes showing his “real me” to his “best friends,” a term he uses to refer to his social media followers, is a key factor in his fame.

“I think that’s what the world is craving right now, which is why I think the world loves me because I’m a real person,” he said.

The Filipino content creator rose to stardom thanks to his makeup tutorials and humorous views on life. In his IMMAP appearance, Rock recounted how he started creating content with his sister when he was 8 years old.

After becoming successful online, he felt he had found his heart. “This is what I want to do for the rest of my life (create content online),” Rock said.

Now that creating content is his full-time career, Rock has encouraged people to “use the internet for their own benefit” and not to “undo” or hate people online.

Referring to World Mental Health Day last Sunday, October 10, at the forum, Rock recalled the importance of taking care of one’s mental health. He said spending time on social media wouldn’t help someone’s mental health issues.

“For anyone with mental health issues, social media won’t help that. Getting fame won’t fix your mental health. Sometimes I would say it’s really better not to post. not publish today. a lot of likes on a post. “

Rock also gave aspiring influencers a tip, warning them to have a false sense of entitlement.

“Just because you’re famous, things will be handed to you and sometimes it makes people want to have things, to start influencing for that reason so that they can get the benefits. It should never be really about. That. People can see your intentions. If you join because of the benefits, don’t, “he said.

Meanwhile, Rock, who is currently in Los Angeles, gave a teaser of what his “best” can expect from him in the future.

“I think Bretman Rock is fed up with being seen in a tiny phone. He’s fed up with being seen on your laptop. I think it’s time for me to find a ‘bigger screen’,” did he declare. He did not give details.

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Jimmy Carr has a personal bodyguard to remove audience heckler from Poole’s show https://fiftysix.net/jimmy-carr-has-a-personal-bodyguard-to-remove-audience-heckler-from-pooles-show/ https://fiftysix.net/jimmy-carr-has-a-personal-bodyguard-to-remove-audience-heckler-from-pooles-show/#respond Mon, 11 Oct 2021 09:32:34 +0000 https://fiftysix.net/jimmy-carr-has-a-personal-bodyguard-to-remove-audience-heckler-from-pooles-show/ “Get him out of the fucking building” Jimmy Carr asks personal bodyguard to remove rowdy from audience after repeatedly disrupting Poole’s show By Owen Tonks For Mailonline Posted: 5:32 AM EDT, October 11, 2021 | Update: 5:32 AM EDT, October 11, 2021 Jimmy Carr’s personal bodyguard kicked a rowdy off the comedian’s Poole show last […]]]>

“Get him out of the fucking building” Jimmy Carr asks personal bodyguard to remove rowdy from audience after repeatedly disrupting Poole’s show










Jimmy Carr’s personal bodyguard kicked a rowdy off the comedian’s Poole show last week after repeatedly interrupting him.

The comedian, 49, performed at the Lighthouse Arts Center in the town of Dorset on Thursday and was reportedly infuriated after the member of the audience disrupted the show.

According to the Mirror, the 8 in 10 cat panelist said, “Guys, stop negotiating with him and get him out of the fucking building.”

‘Get him out of the fucking building’: Jimmy Carr’s personal bodyguard kicked out a rowdy from the comedian’s Poole show last week after repeatedly interrupting him (stock image)

Referring to his bodyguard, he added: “Stephen is keeping me safe – he doesn’t care.”

He added: ‘You did that to yourself buddy. If it’s any consolation, I’ll keep the money ”, and“ don’t forget to buy my book!

An audience member who was seated near the rowdy told Dorset Live: “Initially they weren’t abusive, just annoying to think that everyone was enjoying their constant interactions which interrupted Jimmy’s flow and the audience’s enjoyment. .

The show must continue: The comedian, 49, performed at the Dorset town lighthouse on Thursday and was reportedly infuriated after the audience member disrupted the show

The show must continue: The comedian, 49, performed at the Dorset town lighthouse on Thursday and was reportedly infuriated after the audience member disrupted the show

“Jimmy let them know they were boring with his jokes, but they loved the attention and didn’t get the hint.”

Another member of the audience said Jimmy’s bodyguard Stephen “literally dragged” the heckler out of the auditorium as the crowd cheered.

While the incident allegedly caused the show to overtake for about 20 minutes, members of the audience insisted that they enjoyed the show.

Parents: the actor, 48, secretly welcomed a son two years ago with his partner Karoline Copping, 46, pictured in 2018)

Parents: the actor, 48, secretly welcomed a son two years ago with his partner Karoline Copping, 46, pictured in 2018)

MailOnline has reached out to a representative for Jimmy for comment.

Meanwhile, Jimmy revealed last week that he named his son Rockefeller as he discussed becoming a father for the first time with partner Karoline Copping, 46.

The couple welcomed the toddler into the world two years ago, and Jimmy told the Radio Times this month that his son’s nickname was inspired by US business mogul John D. Rockefeller – “but also with a hint of Chris Rock, the greatest comedian of all time.

Speaking of fatherhood, Jimmy said, “It might be a bit of a shift, because of the kind of comedy I’m doing.

“But until now, I always tell the same jokes, I have the same sense of humor. We’ll see, because I’m sure I’ll write a lot about him. In fact, I think it might be tax deductible.

Loved daddy: Jimmy revealed last week that he named his son Rockefeller as he discussed becoming a father for the first time

Loved daddy: Jimmy revealed last week that he named his son Rockefeller as he discussed becoming a father for the first time

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Classical music event captivates audiences in Rohtak: The Tribune India https://fiftysix.net/classical-music-event-captivates-audiences-in-rohtak-the-tribune-india/ https://fiftysix.net/classical-music-event-captivates-audiences-in-rohtak-the-tribune-india/#respond Sun, 10 Oct 2021 02:13:00 +0000 https://fiftysix.net/classical-music-event-captivates-audiences-in-rohtak-the-tribune-india/ Rohtak, October 9 Classical music will be broadcast to every nook and cranny of the state so that everyone can know its meaning, said Dr Suresh, senior secretary of the arts and cultural affairs department. Bureaucrat turned singer Kashish Mittal performs. Photo gallery He was addressing the audience during a classical singing program, “Shastriya Gyan”, […]]]>

Rohtak, October 9

Classical music will be broadcast to every nook and cranny of the state so that everyone can know its meaning, said Dr Suresh, senior secretary of the arts and cultural affairs department.

Bureaucrat turned singer Kashish Mittal performs. Photo gallery

He was addressing the audience during a classical singing program, “Shastriya Gyan”, jointly organized by the Department of Arts and Cultural Affairs and Maharshi Dayanand University (MDU) last night.

Bureaucrat-turned-singer Kashish Mittal also performed on occasion and captivated audiences. “As music cannot be confined to the state, special efforts will be made to educate people about the old form of music,” said Dr Suresh.

Pankaj Yadav, divisional commissioner of Rohtak, described Kashish Mittal as an inspiration to young people. He said Kashish joined the public service for social work, but his interest has always been in classical singing. Therefore, he quit work to pursue his passion.

“Indian music is our heritage, which takes us to meditation and yoga,” said Padma Shri Sumitra Guha, who was the guest of honor on the occasion. —TNS


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“Sun & Sea” makes opera audiences feel the contradictions of climate change – ARTnews.com https://fiftysix.net/sun-sea-makes-opera-audiences-feel-the-contradictions-of-climate-change-artnews-com/ https://fiftysix.net/sun-sea-makes-opera-audiences-feel-the-contradictions-of-climate-change-artnews-com/#respond Fri, 08 Oct 2021 20:01:00 +0000 https://fiftysix.net/sun-sea-makes-opera-audiences-feel-the-contradictions-of-climate-change-artnews-com/ The thing most reviews and features haven’t conveyed Sun & Sea (Marina), the acclaimed opera on climate change that won Lithuania the Golden Lion at the 2019 Venice Biennale, is the strange pleasure of experiencing it live. The work recently made its US debut at the Brooklyn Academy of Music, where, as in other venues, […]]]>

The thing most reviews and features haven’t conveyed Sun & Sea (Marina), the acclaimed opera on climate change that won Lithuania the Golden Lion at the 2019 Venice Biennale, is the strange pleasure of experiencing it live. The work recently made its US debut at the Brooklyn Academy of Music, where, as in other venues, the audience stood on a platform, surrounded by a medium-sized room, which made it look like the human performers below to animals on display in a zoo pit. . The artists bask on an artificial beach and chat and frolic as if they were actually at the seaside; from these tilted body positions, one by one or occasionally in chorus, they sang songs that recorded poetic hunches about humans’ irresponsibility towards their environment (“the holidays are what killed the mammoth”). The accompanying music, melodious and repetitive, permeated the space with languid sound washes.

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What is difficult to convey, but essential to the experience, is how this incredibly enjoyable spectacle has been in turn detached and immersive. The set contains neither sun nor sea, only sand and plastic and artificial light; the opera is foreign to the elements of its title. The elevated vantage point – with spectators crowding around the platform’s railing, observing both performers and each other – makes the audience feel literally and figuratively above the dramatic action , almost divine. Yet the music, soothing like a hot tub, is holistic – physically absorbing – and the booklet emphasizes the importance of the sensory experience for both climate awareness and climate forgetfulness. The character of Wealthy Mommy (one of the many “types” in the cast), for example, gushes jarringly about how a sick section of the Great Barrier Reef is “an amazing sight”: must see, words cannot describe it. Sun & Sea encourages the public to feel, bodily, how out of touch they are with the abstract knowledge of climate change they already have.

From above, a photograph shows artists lying on an artificial beach;  at the edges of the image, the audience is visible crowded around a raised platform, looking down on the sand.

Rugilė Barzdžiukaitė, Vaiva Grainytė and Lina Lapelytė, Sun & Sea (Marina), 2019.
Photo Andrej Vasilenko / Courtesy of the artists

Perhaps the strangest part of this feeling is its familiarity, the way in which long before acquiring knowledge of anthropogenic climate change, humans did their best not to overthink the extent to which pleasures seemingly harmless (like tobacco or clothing) can be consistently linked to the pain of others (as in the case of slavery or sweatshop work). “The banana is born, ripens somewhere in South America / And then it ends up on the other side of the planet”, sings the character of Philosopher sunbathing. “It only existed to satisfy our hunger in a bite / To make us feel happy.” Sun & Sea is a bit like this banana, mysteriously coming from elsewhere to provide temporary hedonic pleasure, while also wondering, unlike bananas, about the hidden or repressed costs of this pleasure.

The astute use of the opera form by director Rugilė Barzdžiukaitė, librettist Vaiva Grainytė and composer Lina Lapelytė highlights these ethical and experiential links. For artistic audiences, Sun & SeaThe animator’s paradox – that our species remains complacent and egocentric in the face of climatic catastrophes – will be a familiar message. Neither this premise nor the avoidance of the didactic content and the apocalyptic dramaturgy of the work account for the ecstasy Sun & Sea inspired. More than anything, the audience reacts to the way the opera delivers such messages with a self-reflective blend of artifice and authenticity: unconventional staging, casting and truth play, vibrational music.

Performance can be understood as artistic awareness, which has been one of the two main historical justifications for eco-oriented art (the other being more direct environmental remediation). Yet it is a rather particular kind of awareness, which offers sensory immersion rather than abstract information. This approach fits the trend of immersive art installations, transparent cash grabbers such as the Museum of Ice Cream and Van Gogh’s digitized experiences in Instagram traps with a veneer of activism or art, like the recent climate installation. Bushwick pop-up – cum -lounge, “Undercurrent”, or the haunted house of great art from artist collective DRIFT at The Shed, “Fragile Future”. Whatever its effectiveness in raising awareness of the climate, Sun & Sea is distinguished by its self-outreach, for its recognition that art can bring audiences into contact with the conflicting realities of their own behaviors in the gallery and beyond.


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Author Jean Becker delights audiences with stories about his boss, George HW Bush https://fiftysix.net/author-jean-becker-delights-audiences-with-stories-about-his-boss-george-hw-bush/ https://fiftysix.net/author-jean-becker-delights-audiences-with-stories-about-his-boss-george-hw-bush/#respond Thu, 07 Oct 2021 09:00:08 +0000 https://fiftysix.net/author-jean-becker-delights-audiences-with-stories-about-his-boss-george-hw-bush/ Jean Becker, chief of staff to the late President George HW Bush and author of “The Man I Knew,” was the keynote speaker at the University of New England’s annual George and Barbara Bush lecture series. Photo by Tammy Wells BIDDEFORD – When former President George HW Bush turned to her and said “Jean, I […]]]>

Jean Becker, chief of staff to the late President George HW Bush and author of “The Man I Knew,” was the keynote speaker at the University of New England’s annual George and Barbara Bush lecture series. Photo by Tammy Wells

BIDDEFORD – When former President George HW Bush turned to her and said “Jean, I have an idea”, as he frequently did, her chief of staff Jean Becker braced himself for whatever he could say then.

“She was the most thoughtful person I have ever met,” she said.

One of those ideas involved him jumping out of a plane.

“I asked if he had told his wife” about his plans, Becker said.

Becker was Chief of Staff to President George HW Bush from 1994 until his death in 2018 and Barbara Bush’s deputy press secretary from 1989 to 1992.

She was the guest speaker on Thursday, September 30 at the George and Barbara Bush Distinguished Lecture Series, hosted annually by the University of New England.

Becker’s stories about his boss were fond memories of an old friend. The stories were warm, funny and endearing – and reveal the same qualities she saw in the former president.

During the 2020 pandemic, Becker wrote a book on Bush titled “The Man I Knew: The Amazing Story of George HW Bush’s Post-Presidency”. She spoke about her book and the President and Barbara Bush in the hour-long presentation.

The book tells stories about how Bush lived his life, his penchant for pranks and his character. She told a few of those stories on Thursday – and she invited four of the president’s assistants on stage to tell a few themselves.

Assistants to President George HW Bush joined his chief of staff Jean Becker, center, as she spoke at the annual George and Barbara Bush lecture series at the University of New England. Photo by Tammy Wells

“I wasn’t sure I should write a book; I wasn’t sure these were my stories to tell, ”Becker said from the podium. But she added that there were so many stories, so she went ahead.

Becker was an endearing speaker, and there were frequent asides: “Mikhail Gorbachev once told me to shut up,” she said of the former Soviet leader, with a smile. “I kissed Tom Selleck,” she said in the next breath.

The conference was attended by Bush’s daughter Doro Bush Koch, Barbara Bush’s brother Scott Pierce, and other family and friends, said University of New England President James Hebert.

“The Bushes were role models for our time,” said the college president, welcoming Becker on stage.

Becker spoke of George HW Bush’s friendship with former President Bill Clinton that blossomed in 2005, when President George W. Bush asked the two to come together to encourage private fundraising to help people devastated by the tsunami in Indonesia.

Friendship grows.

“President Bush was the father Bill Clinton never had,” Becker told the audience.

She introduced the assistants, who had their own stories.

Gian-Carlo Peressutti spoke about how the former president urged him to attend a Rolling Stones concert after his official duties ended on a trip to Hawaii to mark Pepsi’s 100th anniversary. Preressutti reminded the former president that his job was to escort him and Ms Bush to their room.

“He said, ‘go ahead’,” Peressutti recalled, adding that the former president took his tie and suit jacket and brought them back to the hotel. “I’ll never forget the 41st President carrying all my things to his room, just so I could spend an evening and watch the concert.”

Then there was the moment in Greensboro, NC where Bush reached out to shake a woman’s hand and the assistant saw him move a little awkwardly.

The Secret Service responded by radio that they needed to locate a men’s clothing store. They ended up at Walmart, with Bush asking for the location of the men’s underwear department and telling the clerk exactly why he wanted to know. “The belt of my boxers snapped,” he told the woman.

Aide Tom Frechette said he had been in the post for three weeks when asked to chat with Bush. As the assistant sat down, a series of embarrassing noises emerged.

“I had no idea he had received an electronic version of a whoopie pad,” Frechette said. He remembers thinking “this is going to be a wild ride”.

The late President George HW Bush was a man with a sense of humor, who enjoyed making practical jokes – like the time he cut the bed in the hotel room where granddaughters Barbara and Jenna had to. sleep during the Beijing Olympics in 2008, recalled assistant Jim Appleby.

Coleman LaPointe recalled the day the 41st President of the United States saw a Secret Service agent arrive at work with a shaved head, asked why, and heard from Patrick, the 2.5-year-old son of another agent. , who had been diagnosed with leukemia and lost her hair due to cancer treatment.

Bush, who lost his daughter Robin to cancer, immediately said he would shave his head as well.

Patrick and his family have been invited to meet the Bushes. Patrick, he added, is now 10 years old and doing well.

“It was a selfless act,” said LaPointe. “What I admired most about President Bush was his humility.”

Becker read speeches by Barbara Bush that emphasized altruism and tolerance.

“We need his voice right now,” Becker said.

In the audience was Mya Hankes, a sophomore from UNE. a major in communication and English which was among those invited to lunch with Becker earlier today.

“We sat down and talked about the book and the Bush family in general,” said Hankes, who described the former president as “a wonderful humanist.”

Becker said his boss’s mantra was “faith, family and friends” and serving others, and recited his 10 tips: “Don’t be discouraged when life challenges you; don’t blame others for your setbacks; when things are going well, always give credit to others; don’t talk all the time, listen; do not brag, let others emphasize your virtues; lend a hand to someone else; no one likes a bossy bigshot; if you are successful, be nice; don’t be afraid to cry; and say your prayers.

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